Then, the mood changes abruptly and we see young Jack and Jackie in their first meeting, two awkward, yearning people who wear their privilege lightly, singing delicate, tender music.Ĭomic crudity returns, though, when Lyndon Baines Johnson and a group of Texas politicians, decked out in full Texas regalia, intrude on Jack in the bathtub to show him some fun. Some sensitively written, beautifully intimate scenes in this opera will stay with me, especially the first moment we meet Jack and Jackie, as the characters are called.Ī blustering Nikita Khrushchev (Casey Finnigan) appears with a boisterous Red Army Chorus. Their ambitious new work, “JFK,” a grand opera, opened here on Saturday night at the Bass Performance Hall, drawing international attention to the company on its 70th anniversary. Little and the librettist Royce Vavrek, the inventive team known for the chamber opera “Dog Days,” an apocalyptic family drama, who grabbed the idea and ran with it. Four years ago he approached the composer David T. That intimate hotel room could be the setting for a dreamlike opera, he thought. 22, 1963, at the Hotel Texas in Fort Worth. The president and his wife spent the night before and morning of Nov. Woods, the longtime general director of the Fort Worth Opera, came up with an intriguing idea that offered a dramatically viable focus for the story. ![]() The tragic events of that time are too immense Jack and Jackie Kennedy have become hopelessly mythologized by this point.īut Darren K. ![]() Kennedy would seem an impossible opera subject. ![]() FORT WORTH - The last 24 hours in the life of President John F.
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